Strange Ways, Here We Come: Marvel’s Dr Strange and his psychedelic secrets

Strange Ways, Here We Come: Marvel’s Dr Strange and his psychedelic secrets
From LSD to Ayn Rand to Satanism, the roots of Marvel’s latest superstar are a tangle of the American unconscious. John Naughton elevates to the astral plane to investigate. 

“Open Your Mind,” advises the trailer to the forthcoming movie of Doctor Strange. “Change Your Reality”, it adds, as cityscapes fold in on one another Inception-style and the titular Marvel comic-book hero – made flesh in the form of Benedict Cumberbatch – opens the doors of perception and inspects his new, deceptively spacious surroundings.

Though he’s had to bide his time patiently to take his place on the big screen in the new Marvel Comics Universe, behind the likes of Iron Man, The Hulk, Captain America and the rest, Doctor Strange arrives on the big screen this month and expectations are, well, high.

Because from his very earliest appearances in July 1963 in the pages of Strange Tales #110, Doctor Strange, with his cosmic wanderings across astral planes, protecting Earth from dark forces often only with his mind, has been intimately linked to LSD and the counterculture.

Since that time, he has been reimagined successfully by writers such as Roger Stern and most recently, Brian K. Vaughan in the excellent one-shot, The Oath. But most comic book aficionados would agree that there have been two iterations of the Sorcerer Supreme that stand out above the rest. The first was the original run, drawn by his creator, the enigmatic, reclusive, comic book genius, Steve Ditko and the second was during an intense period of creativity at Marvel in the early 70s when writer Steve Englehart and artist Frank Brunner took over his story. Continue reading “Strange Ways, Here We Come: Marvel’s Dr Strange and his psychedelic secrets”


Nothing is real: We’ve turned the 1960s into an empty fantasy

Nothing is real: We’ve turned the 1960s into an empty fantasy
The V&A’s latest mega-exhibition You Say You Want A Revolution? promises the last word in ’60s nostalgia… again. But to Paul Du Noyer, a 1960s with only gilded youths and radical-chic celebrities is no 1960s at all. 


In 1966 there were two great cultural revolutions getting under way. One was in China, where its figurehead was Chairman Mao and the aim was to purge the nation of lingering capitalist tendencies. The other took place in the affluent west: its unofficial figureheads were probably The Beatles and the aims were various. But getting laid, getting high and having a damned good time were top of most people’s list.

In both revolutions, youth led the charge. China’s Red Guards were paramilitary students who forged a violent upheaval that caused untold havoc and horrific casualties. In the West, there were some campus riots and the odd demo, but our collective memory is of a nice psychedelic wonderland. There were agit-prop trimmings, but hardly anyone died. More people changed their style of trousers than their ideological outlook.

And yet, even in the West, the effect of those years is still felt, and still debated. What really happened in the late 1960s? Was our society deeply transformed in some way? And if so, for better or for worse?

This is where the V&A’s latest blockbuster exhibition comes in. You Say You Want A Revolution? takes its title from The Beatles’ 1968 song ‘Revolution’ and the question mark is important. Did people literally want a revolution? Or just to throw the biggest party in history? Even John Lennon wasn’t sure, and he wrote the bloody song. Continue reading “Nothing is real: We’ve turned the 1960s into an empty fantasy”